https://www.dorisbittar.com/work daily 1.0 2025-11-17 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1573492508116-HRU02U38BJ2PYYKJXUXS/Jiddo%27s+Roses+Go+to+FranceCropped.jpg Work https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1573492612852-8FK30TPFJ15EV6LGXRF7/1997_In+the+sun%27s+blood+poster2c.jpg Work https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1563315488406-FQUGTIU0P8KG6PFI6NWA/04+Dialogue+1_Manal+%26+Gila+Two+views.jpg Work - Dialogue 1 Manal and Gila pastel and charcoal on rag paper, 96” x 120” (200 x 300 cm) 2002 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1590876484747-CBFQ1LQFZGSY7MDY5520/3+BITTAR+Al+Majed+Silver+and+Red+2019.jpg Work https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1590874159784-AGOFTFQIJJ7CBP60PI8S/And+Wow+Shadows+Merge+1.jpg Work - And Wow Gold and Turquoise A wow sculpture photographed with layers of design elements of the letter wow. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1563127697120-X68J0VDT206EIUA4C15L/2011_Baghdadi+Bride+3b+72dpi+1920pix.jpg Work - Stripes and Stars: Baghdadi Bride 2 Oil on sized linen, 40”x40” (98 x 98 cm) 2011 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1594490442235-PZXE4CY8YF91UH73X3QT/2015+Bittar+Conversation+with+Manet+1+.png Work https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1590873828098-16JKSOYNFHNIB2GZBSZW/7+BITTAR+Diss+Orient+2020.jpg Work - Diss Orient printed frosted acrylic, printed vinyl in three layers. 2020 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1619627353672-K29589AAM5A5A061POUE/2020+Homage+to+Huguette+detail.jpeg Work https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1575309920615-1JT24YVMS29N1LWE5ZID/2010_Bittar_Secured_States_The_Arab_World.jpg Work - Secured States: The Arab World Security Envelope Patterns on Tar Paper, 40” x 60” (100 x 152.4 cm) 2011 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1638313134446-00ISDMXYXV5M2DULP1VT/image-asset.jpeg Work - "Watching Jacob 3," oil on linen is a kinetic and interactive painting. "Watching Jacob 3" is now in the permanent collection of the Institut du Monde Arabe, Paris France 2021. This video shows how its interactive components work. Bittar's image of Jacob Wrestling with the Angel is quoted from Eugène Delacroix at the Chapel of San Sulpice in Paris. Watching Jacob 3 shows how the narrative of the Arab watching the struggle may be emphasized or disappeared. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1563314528876-S3V9F6L1D32UYVJ6N2WB/11+BITTAR+2011+Pearl+Divers+Tale.jpg Work - Root/Route Patterns of Sharjah: A Pearl Diver's Tale 2009 -2010 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1572651816726-705O9SF9FTJKPPNZ89R7/image-asset.jpeg Work - "Performing Patterns" Coronado, San Diego 2019. Thanks Xavier, Natalie, Alessandra, Jim. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1572907252063-58KBAM5X317I1HXZHLDV/Folding+Linens+1%2C+8%2522x16%2522.jpg Work - Folding Linens Filigree Oil on linen, 34” x 68” (86.4 x 172.7 cm) 1999. Owned by Ann Rauch and Michael Goldblum, NY https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1566837248204-FVRFSWFL04DR0XYORX7W/image-asset.jpeg Work - Wall to Wall Governors Island 2019 Collaborating artist, Joyce Dallal, slipped between the map of the U.S. - Mexico border. Mixed Media, approx. 132” x 132” (335 x 335 cm) Governor’s Island, New York 2019 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1696353760482-560EFXEGFAA257IBLGW9/image-asset.jpeg Work - Textual Dances October 2023 Doris Bittar's immersive and improvisational installation, COLONIAL COLONNADE premiering at the Arab American National Museum on November 9-10, 2023, merges the English and Spanish languages with the Arabic language to explore diasporic realms. COLONIAL COLONNADE encourages interpretation by various creatives and the general public. "Textual Dances" shows how dancer Nadia Khayrallah and oud player Clarissa Bittar interpret the installation. COLONIAL COLONNADE will be on view from November 9, 2023 to June 2024. Reception night is on November 10th when Nadia and Clarissa will perform. For more information on other events and workshops hosted by Doris Bittar and Nadia Khayrallah check out the Arab American National Museum [https://arabamericanmuseum.org] in Dearborn, Michigan, just down the street from Detroit. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1692646559806-WZAWMG08PYKQ6PNL94OZ/Singing+Patterns+2023.jpg Work - 2023 Singing Patterns Public Art Installation May 2023 Bittar created the design and CAD files for the steel screen. Located in the City of San Diego at the Live Well Center in Logan Heights at the corner of Euclid and Market. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1763344557195-FKC0OHYMFB4V5T179204/Free+Gaza+Demonstration+Still+San+Diego+2025.jpg Work - Free Gaza Demonstration, San Diego, California, 2025 Video still. 2025. Bittar created a large kuffiyeh pattern that attracted several demonstrators to carry for a two hour march. Shadows cast from a setting sun were captured. https://www.dorisbittar.com/blog daily 0.75 2023-03-23 https://www.dorisbittar.com/blog/a-common-thread-group-exhibit-at-art-share-la monthly 0.5 2023-03-23 https://www.dorisbittar.com/blog/https/vimeocom/showcase/8298528 monthly 0.5 2021-11-30 https://www.dorisbittar.com/blog/watching-jacob-3-in-the-permanent-collection-of-the-institut-du-monde-arabe-paris-france monthly 0.5 2021-11-30 https://www.dorisbittar.com/blog/contribution-to-exquisite-corpse-at-the-institut-du-monde-arabe monthly 0.5 2019-12-11 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1576088559398-QSVJ27A1EJ41YREQ2MCE/2017+Institute+Du+Monde+Arabe.jpg NEWS - Contribution to Exquisite Corpse at the Institut du Monde Arabe https://www.dorisbittar.com/blog/governors-island-new-york-city monthly 0.5 2019-08-27 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1566901311660-ZIZH606C9U2H2XADE0IB/Wall+to+Wall+Governors+Island+2019.jpg NEWS - Governors Island, New York City https://www.dorisbittar.com/blog/2016/3/1/paris monthly 0.5 2019-07-26 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1564166935984-R1Y1A6U6I6G4NQ4PDXX1/IMG_9244.jpeg NEWS - WALL to WALL - GOVERNORS ISLAND Bittar working on the map to be installed. https://www.dorisbittar.com/bio daily 0.75 2025-06-26 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/3f6c5b4b-1747-4c5f-8a3a-409df183b38b/UNADJUSTEDNONRAW_thumb_218a.jpg BIO/CV Patterns are ubiquitous and found everywhere: on obscure streets, windows, doors, in texts, books, data, and white noise. Their current forms reveal shared heritages and migration to uplift difficult conversations. Doris Bittar 2022 EDUCATION Whitney Museum of American Art Independent Study Program, (1995-96) University of California, San Diego (Master of Fine Arts 1993) State University of New York at Purchase (Bachelor of Fine Arts 1981) PRESS HIGHLIGHTS Davis, Genie, “Feminist Image Group Resonates With Timely Collaborative Works,” art and cake, March 26, 2025 Talass, Rawaa, “Arab-American Heritage Month: Why using pattern for communication has been Doris Bittar’s life mission” Arab News, April 4, 2024 Marchi, Lisa, Interview with Doris Bittar, Mitra, October 2023 CAA CWA Picks Featuring Artist Doris Bittar, November 2023 - June 2024 Lazzari, Margaret “Migrant Madonna at SoLA,” art and cake, May 10, 2022. review. Sierra, Jennifer, “Visiting “Colonial Colonnade,” an exhibit by artist Doris Bittar, at the Arab American National Museum, December 12, 2023 CanvasRebel interview, “Meet Doris Bittar,” April 6, 2022. Frischer, Patricia, “Full Circle but with No Center: Doris Bittar lecture,” SanDiegoVisualArts.net October 2, 2021. review. Eilat, Galit, “The B-Word: Debating Cultural Boycotts,” Frieze, December 8, 2017. review. Horne-Gaul, Laura & Lee Gaul, “De-briefing Dar’a/Full Circle,” Tussle Art Magazine, Toronto & NYC, April 3, 2017. Mohaiemen, Naeem, images Hans Haacke, “The Loneliness of the Long-Distance Campaign: On Gulf Labor & Western Museums in the Middle East,” Walker Magazine, December 7, 2016. Lindsey, Ursula, “Standing Up for Migrant Workers in the Gulf, 1 Installation at a Time,” The Nation, November 9, 2015. Coombs, Gretchen, “At Venice Biennale, Artists Stage a Pageant for Precarious Workers in Abu Dhabi,” Hyperallergic, September 1, 2015. Batty, Dave, “Art World Protest Over ‘mistreatment’ of Migrants at Abu Dhabi Cultural Hub,” The Guardian Observer, UK, November 2, 2013. SELECTED AWARDS, GRANTS, AND RESIDENCIES, 2023-24 California Arts Council Legacy Artist Award 2023 Arab American National Museum residency 2022, 2011, 2007, Puffin Foundation Grant 2020 California Arts Council Arab Amp Collective 2015 Puffin Foundation West 2011 Exhibit and residencies in Berlin and Stuttgart for ifa gallery. 2010 Alexandria Biennale for Mediterranean Countries, 2nd Prize, Alexandria, Egypt 2007 Ninapi Gallery Residency, “Soap Story” and “Stripes and Stars,” Ravenna, Italy 1998, 1999 California Arts Council Artist Fellowship Grant SELECTED PUBLIC COLLECTIONS Institut du Monde Arabe, Watching Jacob 3 acquired in 2020, Paris, France Museum of Contemporary Art, Mina Alba, San Diego, La Jolla, California Arab American National Museum, large-scale paintings and a metal sculpture, Dearborn, Michigan Live Well Center, Singing Patterns, 2023, 60-foot long outdoor mural, San Diego, California City of San Diego Civic Art Collection 2021, The World Through a Sieve, San Diego, California California Center for the Arts, In the Sun’s Blood, Escondido, California Kempinsky Hotel, Star of Beirut, Concierge Installation, Beirut Lebanon, 2016 House of Lebanon, Tarab Soundings, Los Angeles, California, reinstalled in 2024 De Anza College, Cupertino, California, tiles from Tec Sayings Athenaeum Music and Art Library, La Jolla, California, photograph San Diego Museum of Art, Jiddo’s Roses Visit France, San Diego, California, Russell Sage Foundation, Conversation Book 2, New York, New York SELECTED EXHIBITS Colonial Colonnade solo, Arab American National Museum, November 9, 2023 - June 9, 2024, Dearborn. Michigan ‘Aemida.Columnata.Colonnade, ENVZN Urban Art Takeover, solo and group, September 2, 2023, San Diego, California A Common Thread, ART SHARE LA, group, April 1 - May 13, 2023, Los Angeles, California Lumières du Liban: Art moderne et contemporain de 1950 à aujourd'hui, Institut du Monde Arabe, group, 21 September 2021 to 2 January 2022, Paris. France Pattern and Place, Dina Abdulkarim, Doris Bittar, Joyce Dallal, group, July 3 - August 29, 2021, California Center for the Arts, Escondido, California Mash, Dina Abdulkarim, Doris Bittar, Joyce Dallal, group, curated by Mark Greenfield, April 2 - May 22, 2021, SoLA Contemporary, Los Angeles, California Arab Amp, Virtual exhibit, June 30, 2020, Pieter Performance Center, Supported by the California Arts Council, Los Angeles, California. Visible Migration Patterns, solo, March 25 – April 25, 2019, El Camino College, Torrance, California Wall to Wall, Joyce Dallal & Doris Bittar, collaboration solo, August 23–September 2, 2019, Dysfunctional Theater Collective, Governors Island, New York, New York Storming the Wall, Todd Ayoung, Doris Bittar, Melissa Smedley, group, July 1 - July 7, 2018, Center for Art on Migration Politics – CAMP, Roskilde Festival, Copenhagen, Denmark An Open Eye on the Arab World - Exquisite Corpse, Sep 29-April 2018, group Institut du Monde Arabe, Paris, France Dar’a, March/April 2017, group, Artcite Gallery, Windsor, Ontario, Canada Before the Court, Sep 23, 2016–Nov 2, 2016, group, Nadežda Petrović Art Museum, Čačak, Serbia, 56th Venice Biennale, The Arena, “A New Wave of Arts Activism?” collaborative group, Gulf Labor, August 5-6, 2015, Venice, Italy. Cryptographic, solo, Sep 21–Oct 20, 2015, Al Quds Gallery, Jerusalem Fund, Washington, DC. Encoded Diasporas, solo, Oct 15–Nov 15, 2014, Mesa College solo, San Diego, California Between the Stripes, solo, University of California, Santa Barbara Multicultural Center, April 9– June 13, 2014, Santa Barbara, California Women, War, and Industry, group, San Diego Museum of Art, October 19, 2013 to February 18, 2014, San Diego, California Infinite Mirror, 2011-3013, group show sponsored by consortium of private and public organizations. Toured to 19 cities and 12 states throughout the United States from 2011-2014. 25 Years of Arabic Creativity, Oct 16–Feb 3, 2012, group show by Institut du Monde Arabe, Paris, France July 1–Sep 10, 2013, National Museum, Bahrain. Apr. 2 –Jun 10, 2013, Naila Art Gallery, Ryad, Saudi Arabia. March 5 – March 31, 2013, Emirates Palace, Abu Dhabi, United Arab Emirates Political Patterns, group and solo curator Sabine Vogel, Jul 7 – Oct 3, 2011, ifa Gallery (Institute for Foreign Cultural Exchange/Institut für Auslandsbeziehungen), Berlin, Germany Floor to Ceiling, group, July 9 – August 17, 2011, Nabad Art Gallery, Amman, Jordan Aftermath, 25th group and solo by the Alexandria Biennial for Mediterranean Countries, Alexandria Museum of Fine Arts, December 15, 2009 – January 30, 2010, Alexandria, Egypt Trade Show, July 1-30 2009, group show by Edgar Varela Fine Arts-Los Angeles- August 10-16, 2009, Ankara Mithatpasa Sanat Galerisi-Ankara-, Eskisehir, 2009, Galeri Iskik-Istanbul, Turkey, 2010. Tec Tang Tarab, solo show, Leveled: An Interactive Experiment in Art, Aug 14–Dec 31, 2010, California Center for the Arts, Escondido, California Sharjah Biennial 9, Provisions for the Future, solo and group, “Patterns of Sharjah,” Four-Part Installation: Paths to the Persian Market,” Geography Lesson,” and “A Pearl Divers’ Tale” video installation March 22- May 22, 2009, Sharjah Museum of Art, Sharjah, United Arab Emirates Piece Process 6: All Walls Must Fall, Sept – Nov 2008, group show by Pomegranate, New York, New York Soap Story: Ravenna and Beirut, Khaldiyeh’s River Rocks and Stripes and Stars, solo, Ninapi Gallery, March 22 – May 2, 2008, Ravenna, Italy Doris Bittar, Qisas Al Finjan/Coffee Stories, solo, Athenaeum, Music & Arts Library solo, Feb. 16– March 22, 2008, La Jolla, California Stripes and Stars, Paintings by Doris Bittar, solo, Frank Pictures Gallery, Bergamot Station, Oct 14 Nov 14, 2007, Santa Monica, California Jusour Wa Kusour: Doris Bittar 1989-2007 Retrospective, solo, Feb 11–April 1, 2007 Oceanside Museum, Oceanside, California Piece Process 6: After Lebanon, September – Nov 2007, Portland Art Center, Portland, Oregon Uncle Hanna’s Electric Heart and Other Stories of Resistance, solo, Southwestern College Gallery, Oct 12–Nov 2, 2006, Chula Vista, California Kul Shay/All Things: Photographs of Lebanon, Syria and Iran, solo, Jan 11–Feb 11, 2006, David Zapf Gallery, San Diego, California Prologue and Epilogue: Arab Feminism Past and Present, May 5 – May 7, 2006, The Blue Studio, Sponsored by Sunbula Women, San Francisco, California In/Visible: Contemporary Art by Arab American Artists, Inaugural Exhibition, May 19-Oct. 30, 2005, The Arab American National Museum, Dearborn, Michigan Somewhere Elsewhere, Oct 19 – Nov 28, 2004 Worth Ryder Gallery, University of California, Berkeley, Berkeley, California Semites, solo, Gotthelf Gallery, The Jacobs Family Jewish Community Center, San Diego, Dec 3, 2003 – Feb 15, 2004, La Jolla, California Sheherazade: Risking the Passage, El Colegio Gallery, Feb 12-Mar 15, 2003, Minneapolis, Minnesota Magician’s Day Off and Other Stories, Euphrat Museum of Art, De Anza College, February 26 – April 18, 2002, Cupertino, California The Wandering Ishmael: New Paintings by Doris Bittar, solo, Nov 16–Dec 15, 2000, David Zapf Gallery, San Diego, California Lebanese Linen, Doris Bittar, solo, Jan 15-Feb 13, 1999, David Zapf Gallery, San Diego, California Substituting “Rasquachismo for Mimesis” Doris Bittar, Mariam Ishaque, Fatimah Tuggar, September 20 - October 19, 1996, spot, New York, New York Under the Sun of the West, solo, Sep 29–Nov 20, 1993, The Alternative Museum, New York, New York SELECTED BIBLIOGRAPHY Reimer, Jennifer A, Forms of Memoir: Four Case Studies In Movement, Migration, and Transnational Life Writing Lazzari, Margaret “Migrant Madonna at SoLA,” art and cake, May 10, 2022. review. CanvasRebel interview, “Meet Doris Bittar,” April 6, 2022. Frischer, Patricia, “Full Circle but with No Center: Doris Bittar lecture,” SanDiegoVisualArts.net October 2, 2021. review. Sizonenko, Tatiana, “Review of Doris Bittar’s Visible: Migration Patterns,” Al Jadid, 2019. review. Pincus, Robert L., “Patterns in Space and Time: The Inclusive Art of Doris Bittar,” March 2019 catalog. El Camino College, Torrance, California. Massoud, Nahid and Rosenstone, Robert A. Shark Art: East/West – West/East, 2019. book. “Visible: Migration Patterns” catalog for solo at El Camino College, Torrance, California March-April 2019 Eilat, Galit, “The B-Word: Debating Cultural Boycotts,” Frieze, December 8, 2017. review. Horne-Gaul, Laura & Lee Gaul, “De-briefing Dar’a/Full Circle,” Tussle Art Magazine, Toronto & New York, April 3, 2017. review. Mohaiemen, Naeem, images Hans Haacke, “The Loneliness of the Long-Distance Campaign: On Gulf Labor & Western Museums in the Middle East,” Walker Magazine, December 7, 2016. review. Lindsey, Ursula, “Standing Up for Migrant Workers in the Gulf, 1 Installation at a Time,” The Nation, November 9, 2015. Ajl, Max, “From New York to the Arab Gulf, Challenging Global Capitalism to Build Worker Power,” In These Times. July 20, 2016. Review of The Gulf: High Culture/Hard Labor, by Andrew Ross. review. Watson, Mike, “The state of political art in light of the 56th Venice Biennale and the Creative Time Summit,” Art Review, August 15, 2015. review. Coombs, Gretchen, “At Venice Biennale, Artists Stage a Pageant for Precarious Workers in Abu Dhabi,” Hyperallergic, September 1, 2015. review. Vartanian, Hrag, “Artists Launch ‘Letter for Palestine’s Campaign at Venice Biennale,” Hyperallergic, August 13, 2015. letter and discussion.. Gharib, Samir, “Arab Women and Fine Arts,” Al Hayat London/Beirut, July 14, 2015. Ross, Andrew, Gulf Labor: High Culture, Hard Labor, OR Books 2015. book. Breslaw, Cathy Multiculturalism Examined in Exhibition "Encoded Histories: Qais Al-Sindy and Doris Bittar", Artful Life, October 14, 2014, Mesa College Art Gallery, October 22, 2014. review. Jim Chute, San Diego Union-Tribune, “Artists and Workers Unite,” March 12, 2014. review. Kovatch, Gretel C., San Diego Union-Tribune, “Women’s War Role on Display,” of San Diego Museum of Art’s group exhibit “Women War and Industry.” Jan. 19, 2014. review. Batty, Dave, “Art World Protest Over ‘mistreatment’ of Migrants at Abu Dhabi Cultural Hub,” The Guardian Observer, UK, November 2, 2013. Jennifer Zarro, “Infinite Mirror – Images of American Identity” The Art Blog, April 29, 2013. review. New York Times review of “25 Years of Arab Creativity,” November 2012. Ehab Ellaban, “The Contemporary Arab Art Scene,” catalog essay for 25 Years of Arab Creativity: traveling exhibit from Paris to Abu Dhabi, Saudi Arabia and Bahrain. catalog. Evelyn Alsultany and Ella Shohat, Representing the Middle East: Cultural Politics in the Americas, University of Michigan Press, 2012-13. book. Wolfgang Kit, “Verbrechen im Ornament: Political Patterns in der ifa-Galerie Berlin” Bauwelt 33.11. review. Hermann Pfutze, “Political Patterns: Ornament im Wandel,” Kunstforum, Berlin. review. Jakob Rondthaler “unter dem gesichelten Mond,” der Freitag, Sept. 9, 2011. Berlin. review. Jutta von Zitzewitz, “Konzeptschnörkel Political Patterns – Ornament im Wandel“ in der ifa-Galerie Berlin,” Artnet.Com.de, 10. August 2011. review. Nafas Kuntsmagazin, “Political Patterns – Ornament im Wandel,” July 2011. Burghart Schmidt, “Grunde zum heutigne Wider-Interesse a m Ornament,” (“Reasons for the current renewed interest in ornament”) Patterns/Ornament im Wandel exhibition catalog Institute for Foreign & Cultural Affairs, Berlin & Stuttgart, Germany, July 2011. review. Sabine Vogel, “Beauty and Terror, Conflicts and Controversies: Ornament Today,” Political Patterns/Ornament im Wandel, exhibition catalog. Institute for Foreign and Cultural Affairs, Berlin and Stuttgart, Germany, July 2011. catalog. Salwa Mikdadi, Nada M. Shabout, Hossein Amirsadeghi (Editors), New Visions: Arab Contemporary Art and the Twenty-first Century, Thames & Hudson, London, England, 2009. book. Farhat, Maymanah, “Arab-American Art: Identity, Cultural Expression, and Politics,” Contemporary Practices: Visual Arts From The Middle East, December 2008. review. The Blender: The Art of Doris Bittar, 29 mins, video by John Odam, 2008, Alternate Focus. video. Oweis, Fayiq, The Encyclopedia of Arab American Artists, Greenwood Press, 2007. book. Dakhlia, Jocelyne, Créations artistiques contemporaines en pays d’Islam: des arts en tensions, October 2006, Dime Publication, Paris, France. catalog. Maymanah, Farhat. “In/Visible”. Dar Al-Hayat. September 19, 2005. review. Kuo, Laura, “Traces of Exile, Somewhere Elsewhere: Homage to Edward Said, X-TRA Vol 7.3, September 2004. review. Saidi, Janet, Los Angeles Times, “Art Shows Arabs, Jews Reaching Out”, Feb 2, 2003. article. Nashashibi, Salwa, “American-Arab Artists: Multiculturalism in America”, in Displacement and Difference, ed. Fran Lloyd, London: Saffron Press, 2002. book. Pincus, Robert L., “Review of ‘The Wandering Ishmael’” Art in America April 2001. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/7d690c02-340d-4e7c-9714-364415c55395/Doris+Working+on+Curvey+Angels+2018+CCAE+copy.jpg BIO/CV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/f16169c3-e70f-463d-aba6-08666829317b/2024+Doris.jpg BIO/CV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.dorisbittar.com/protea-gallery daily 0.75 2021-11-30 https://images.squarespace-cdn.com/content/v1/5d2535a5b6abc00001799877/1603633499690-QVJ9AQD92HAYTJKD36TX/Protea+Gallery+Website+Logo+2019.jpg Protea Gallery